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Nikon D90 12.3MP Digital SLR Camera (Body Only) |  | Brand: Nikon
Category: Photography
Department: Digital Cameras
Buy Used: $690.00
as of 9/5/2010 15:30 CDT details
New (6) Used (7) Refurbished (7) from $690.00
Seller: Shah Jahan
Rating:  221 reviews
Sales Rank: 68
Media: Electronics
Autographed: No
Memorabilia: No
Display Size: 3
Maximum Resolution: 12
Shipping Weight (lbs): 4
Dimensions (in): 8 x 10 x 6
nv:Sensor: 12.3 Megapixel
Image Resolution: 4288 x 2848
LCD Monitor: 3.0 inches
LCD Pixels: 920,000 pixels
LCD Coverage: 96%
Shutter Speed: 1/4000 sec. in steps of 1/3, 1/2, 1 EV
Light Metering Method: Spot Metering
Light Metering Method: Center Weighted
Light Metering Method: 420 pixel RGB sensor 3D Color Matrix Metering II
Exposure Modes: Auto
Exposure Modes: Manual
Exposure Modes: shutter priority
Exposure Modes: Aperture-priority Auto
Exposure Modes: Program Auto
AE Lock: Available
MPN: 25446
Model: D90 Body
UPC: 018208254460
EAN: 0018208254460
ASIN: B001ET5U92
Availability: Usually ships in 1-2 business days
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| Features:
| • | 12.3-megapixel DX-format CMOS imaging sensor | | • | Body only; lenses sold separately | | • | D-Movie Mode; Cinematic 24fps HD with sound | | • | 3-inch super-density 920,000-dot color LCD monitor | | • | Capture images to SD/SDHC memory cards (not included) |
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Product Description
Fusing 12.3-megapixel image quality inherited from the award-winning D300 with groundbreaking features, the D90's breathtaking, low-noise image quality is further advanced with EXPEED image processing. Split-second shutter response and continuous shooting at up to 4.5 frames-per-second provide the power to capture fast action and precise moments perfectly, while Nikon's exclusive Scene Recognition System contributes to faster 11-area autofocus performance, finer white balance detection and more. The D90 delivers the control passionate photographers demand, utilizing comprehensive exposure functions and the intelligence of 3D Color Matrix Metering II. Stunning results come to life on a 3-inch 920,000-dot color LCD monitor, providing accurate image review, Live View composition and brilliant playback of the D90's cinematic-quality 24-fps HD D-Movie mode.
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| Customer Reviews:
Showing reviews 1-5 of 221
 You can tell the D90 was designed by photographers and not just engineers! Wonderful user interface and image quality! September 29, 2008
E. Kim
447 out of 454 found this review helpful
I am far from a professional photographer, but I take it as seriously as possible while still referring to it as a hobby. I take mostly pictures of people at events and many of my baby son without flash in low light situations.
I had been using a Nikon D40x for 1 year and very early reached my limitation with that camera. The Nikon D40x has very nice image quality, but the camera's interface is not suited for a more serious shooter who wants quick single button or dial access to such shooting parameters such as white balance, shooting mode, metering mode, etc. I also felt very limited by the D40x not having an in-body focus motor that would allow me to use non AF-I/AF-S lenses (which are lenses without the focus motor built-in).
The Nikon D40x limitations were severe enough that I was about to consider purchasing a Canon 40D until the Nikon D90 appeared just in time.
PROS:
1. Fantastic set of separate buttons on the camera to control parameters like ISO, white balance, metering, autofocus, image quality, shooting mode, etc.
2. Two command dials
3. High resolution 920K pixel LCD screen (like the one on the Nikon D300)
4. 12.3 megapixel CMOS sensor
5. Low noise high ISO capability (for low light shooting) I can shoot ISO 1600 with good image quality with this camera, while on my D40x I could only shoot with ISO 400 and obtain acceptable IQ. I will even use ISO 3200 frequently with very usable results!
6. Separate top-viewing LCD screen in addition to the rear high res screen, to show shooting parameters constantly
7. In-body focus motor which allows the use of Nikon's non AF-I/S lenses, including wonderful and CHEAP prime lenses such as the Nikkor 50mm 1.8 (~$100 lens!)
8. Continuous shooting of 4.5 frames per second
9. Small size, although larger than the D40/D40x/D60, it is still substantially smaller in the hand than the D300/D3
10. 720p 24fps MPEG video shooting capability with incredible ability to use depth of field that I cannot achieve with my Sony High-Def camcorder.
11. Eleven auto-focus points (not as nice as the 51 points on the D300, but substantially better than my D40x with its 3 points)
12. GPS option
13. HDMI output
14. Enormous number of options to customize camera and shooting settings to fit your style of shooting
15. Fantastic image quality right out-of-box if you don't want to do any post processing
16. Terrific build quality
17. Top notch camera ergonomics (but this will be a very personal opinion that differs for each shooter)
CONS:
1. "Rolling shutter" phenomenon while recording video: The D90 CMOS sensor has the same problem that other CMOS video recorders have when recording video. If you move the camera, especially horizontally, you get a "jelly" or "rubberbanding" effect where the image wobbles significantly. It is nice to have the video features, which looks very sharp at 720p, but it is NOT a substitute for a video camera. If you use a tripod, and do not do quick zooms/pans, the video quality is excellent. Without a tripod, however, you may get nauseous watching a wobbly video. The sound is also in monoaural.
2. 1/200 flash synch: Not a problem for me, but it might be for you.
3. No weather sealing: This is found on the Nikon D300/D3 and even on similarly priced models from other camera companies
4. The buffer will fill up after about 8 continuous RAW + JPG (FINE) shots. This number differs depending on the shooting parameters that you will choose. If you shoot primarily JPG, the buffer seems to allow a very large number of continuous shots, but I have not quantified this for JPG only.
TIPS:
1. Get the FREE Nikon ViewNX software from Nikon's site as your 1st step in your workflow. This will let you examine your RAW images that you can process for either Nikon CaptureNX2 to do further RAW processing or just export to JPG or TIFF for a JPG/TIFF editor such as PhotoShop.
2. Recommend buying the Nikon CaptureNX2. It is a RAW converter (if you shoot in RAW) that will read the camera settings properly for export to JPG or TIFF. Capture NX2, however, is not as slick as the Adobe products and Capture NX2 requires a fairly powerful computer, otherwise it can run pretty slowly on a PC > 3 years old.
3. If you use JPEGs out-of-camera, consider increasing the sharpness above the default 3 or 4. Nikon uses a very conservative sharpening default setting. Nikon has also decided to change the default JPEG images to match the higher end D3/D700/D300 cameras which produce more neutral images. Consequently, the D90 images that are less punchy than the D40/D40x/D60/D80, so you may also want to turn up the in-camera saturation and contrast.
The Nikon D90 has all of the interface features that serious and even professional photographers need with wonderful image quality.
Wow! is all I can say.... November 29, 2008
Earl E. A. Dopter (Louisiana)
261 out of 266 found this review helpful
There are plenty of reviews out there, and I don't want to be redundant. So here are some helpful points that I had a hard time ferreting out when doing my research before pulling the trigger on this purchase, given that I was upgrading from a D60 and that I am, like many who are reading reviews on this product, not a professional:
1. I owned the D40, then the D60. So this is my third Nikon. I had trouble deciphering how my lenses, purchased for the D40/D60, would behave when used in this new model. The answer is that the D90 handles all of them perfectly. This includes lenses that have the HSM built in (the Hyper Sonic Motor is packaged in the lens, because the D40/D60 range doesn't have a built in auto-focus motor) as well as those with no internal motor. The D90 has an internal focus motor, so all lenses built for Nikon cameras will auto-focus, including the Nikon 50mm f1.8 lens that I had to manually focus in the D60.
2. The D90 is heavier, but certainly not uncomfortable to hold or carry. Weight will not be a discouraging factor in purchasing this camera.
3. The D90 takes different batteries, so any spares you have for the earlier models will not work on it. Battery life is truly outstanding. I am not even going to buy a spare battery.
4. The user interface is completely different from the D40/D60. I found it intuitive however. The functionality is just superb, much easier and more flexible. This is a pro level camera with the ease of use of a high end amateur camera.
5. Live view is a great enhancement. Really.
Overall, there is nothing I can say negative about the D90. It's everything I was hoping it would be, and it's so worth the money to upgrade. I'm selling the D60 for half what I paid - and doing it gladly - because the D90 is worth more than it's being sold for. I absolutely highly recommend it.
I also thought I would offer some lens advice, because I had trouble finding a reviewer that just cut to the chase and said "look, just do this." So, look, just do this: I do NOT recommend the kit lenses that you can obtain bundled with the D90. Get the body only, and buy yourself that Nikon 50mm f1.8 (Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras). It's a no-brainer at the price point, and the images I have already achieved have been just excellent. For the rest of your lenses, I highly recommend Sigma. I own the 18-200 (Sigma 18-200mm f/3.5-6.3 DC Lens for Nikon Digital SLR Cameras), the 10-20 (Sigma 10-20mm f/4-5.6 EX DC HSM Lens for Nikon Digital SLR Cameras), and the 150-500 (Sigma 150-500mm f/5-6.3 AF APO DG OS HSM Telephoto Zoom Lens for Nikon Digital SLR Cameras). I cannot say enough positive things about the quality of the lenses or the images. Pack the 50mm and the 18-200 superlens for normal occasions. If you can stand the extra weight, you absolutely cannot go wrong with the 10-20 for landscapes, it just pulls in everything and the quality is shocking. The 150-500 is enormous, you are not going to want to carry that thing around, but when you need it, you really need it. I captured images of my son playing in a soccer game that blew me away; could not have gotten the shots without the big lens. Get the lenses in the order I have specified if you cannot afford them all.
I have just learned all this over the past 2 years. I am no expert but I have discovered the joy of capturing great images that you just cannot get from a point-and-shoot. I think once you see the quality you can achieve with a better camera, you will be thrilled with the decision to spend the money and the energy. And Nikon has truly produced the best camera at this price point in the world. It's a pro camera with an amateur price and it's very easy to use. Words really don't do it justice; you need to experience it to understand.
Any questions, please send me a comment. Happy to help!
Update - 16 Jul 2009:
I have now taken well over 4,000 images with the D90 and can confirm that it's still all I had hoped it would be. Every time I think of something I wish I could adjust, I find that the D90 has the adjustment capability in the menu somewhere. The active D-lighting is spectacular. The noiseless photos in low-light conditions have blown me away. I don't see myself upgrading from this camera for a very long time. My technique for most situations has become as follows: snap a few images using the Auto settings. Then switch to full manual and start playing with the depth of field by adjusting ISO, aperture, and shutter speed to fit the situation. Half the time, the Auto photos are so good that I can't do much to top them in manual mode!
Update - 20 Jan 2010:
Over 10,000 photos taken with my D90. No new lenses purchased since last update. I have yet to find a situation the D90 cannot handle deftly. Over Christmas, I took a family photo of my wife's entire extended family, over 40 people involved. It was indoors, at night, with only weak overhead lights and the lights from the Christmas tree behind the group. I used an ISO of 3500, my small Nikon 50mm lens at 1.8 aperture, and my remote control (so I could be in the photo too!) Under these low light conditions, with no flash, I was able to capture 50 images in a very short time, and miraculously got several with everyone smiling and no one blinking, and out of these one was perfect! The group included several young kids who hate standing still, to name one challenge! The output was startling; in the natural light, its almost ethereal. I'm the new family hero. The reality is that this single photo is irreplaceable and worth more than the camera and lens. It could not have been accomplished with a lesser camera/lens combination, including the previous Nikons I have owned. I would venture to say that no other camera in the price range could touch what I did with the D90 in this situation. Over and over, the camera proves its worth to me. In the end, what is one fabulous photograph of your child, your vacation, or your life's important events worth?
Update - 27 April 2010:
I noticed that I forgot to mention another very useful addition to the D90 - the remote control. This device allows you to remotely trigger the shutter and I find I use it for group shots much more often than the timer, especially because I can trigger multiple shots without returning to the camera. It's very inexpensive and small (I keep it in the little pouch that it comes with, threaded into the strap, so it's always there when I need it.) Here is the item: Nikon ML-L3 Wireless Remote Control for Nikon D40, D40x, D60, D80 & D90 Digital SLR Cameras. Highly recommended!
Update - 13 May 2010:
My D90 was stolen two weeks ago. What a bummer. Anyhow, I decided to upgrade to the D700, but not because there's anything wrong with the D90. I loved it. The D700 has the FX size sensor, whereas the D90 has the DX size sensor, which is smaller. The real benefit of the FX sensor is better sensitivity, meaning higher shutter speeds at a given aperture. Of course, the D700 is more sophisticated in nearly every way, but it's also heavier and more complex to operate. It's also over $2,000 for the body only. I sprang for it. But even so, after considering carefully all the current offerings, my conclusion is that for the money, there is still no better camera than the D90.
D90 a Big Step Up From the D40 December 1, 2008
Shutterbug (Coeur d'Alene, ID USA)
51 out of 51 found this review helpful
I just upgraded to the D90 from the D40 because I was tired of futzing with the white balance of the D40, and I wanted more low-light sensitivity (better ISO), as well as the flexibility of using faster lenses, many of which are not AF-S.
I have been very impressed with the D90. I'm comparing it to the D40. It takes significantly better pictures because of its larger dynamic range and better colors (ADR) and better white balance. The things that I think are important are ranked from most to least important.
1. Active D-lighting (ADR). This has gotten me photos with large dynamic ranges of light (highly shaded subjects with a bright background) that I would have otherwise botched. Also, we rent a house where they did a quick paint job in white, but there are splotches of beige and light green underneath. We've never successfully taken photos of this with the D40 or our point-and-clicks. The D90 pulls these out (without flash) to the point where it's easier to see them in the photo than by eye, and it nails the colors! I also suspect that the ADR is helping tame the noise at high ISO levels (see #3 below).
2. White Balance. The white balance is a big improvement over the D40, which botched AWB lots of times. If you look closely, it's not perfect, but close enough for all but the perfectionists, and the beauty is it works in Auto. That means that you can focus on taking pictures and not on fiddling with your settings so much. There's also a lot of flexibility to set your AWB defaults with a lot of precision.
3. Low light photography. I take a lot of shots indoors without flash. Until very recently, there weren't any f/1.4 prime lenses that were AF-S (needed on D40). The D90 helps in 2 ways: a) takes AF-D lenses and b) has better high ISO performance. I did controlled tests using my 55-200mm VR lens at 55mm (f/4) and looked at ISO sharpness and color on the D40 and D90. I did it in manual mode, following the exact procedure of Ken Rockwell (tripod, VR off, remote trigger). I find that the D90 is between 1 and 2 stops better ISO than the D40. D90/ISO 6400 is too dirty, but D90/3200 is pretty usable. With the D40 at ISO 800, the sharpness is slightly better than the D90 at 3200 (but worse than D90/1600), but there's a lot more out-of-control, day-old pizza look in dark sections with the D40 at 800 than the D90 at 3200 (I'm guessing that ADR is helping here). The D90's color starts to fade at little at ISO 1600, and drops more at 3200, then quite a bit at 6400.
4. The 11-point AF has helped get things in focus compared with the D40's 3 spots. AF also feels faster. Autofocusing is a big improvement.
5. I also really like that it's quicker changing ISO, WB and QUAL because of dedicated buttons. I've also set AF as my top choice under My Menu, making it 1 button away as well (hit the Fn button). This was another Rockwell suggestion.
6. The screen is amazing, as others have said. Also, you can navigate a zoomed image on the screen really fast.
7. I'm also looking forward to using my SB600 flash remotely in commander mode (you can't do that on the D40).
8. On the down-side, I've just discovered that some old Nikon manual-focus lenses from the 1960s will not mount on the D90, but they will on the D40. I don't think this should affect too many people.
Another observation: I'm not that familiar with the D300 and D700, but the D90 feels pretty solid compared to the D40. I thought that weight would help stabilize hand-held shots, but I also find that it's shutter is stronger than the D40, and that vibration tends to cancel out its heavier weight in terms of holding the camera still.
For someone who doesn't like to adjust the manual settings very much, the main benefits of the D90 over the D40 are the ADR and WB. These upgrades will probably appear in the D40 replacement in ~6 months. I might wait for that. For others who use their manual settings regularly, this is quite a camera.
A Camera for Soccer Mom and Taekwondo Dad October 26, 2008
Trader John (California, USA)
63 out of 68 found this review helpful
I think most of us buying D90 would be someone like me. Goto review website for technical review and skip the rest. Read mine if you use it like I do. Here you go. Enjoy!
I have a D50 and just bot a D90. I shoot primary my daughters' school events usually indoor in a gym or threater. I have some of Nikon better F2.8 glasses. With indoor lighting and action such as TKD. The results are sometimes less than satisfactory. When using flash, the subject is well lit but the background would be dim. (you could solve this placing multiple flashes in the GYM like the professionals) when not using flash, you get hand shakes and motion blur. I shot my daughter's TKD blackbelt test yesterday, the D90 blew me away. Here is what it does, on Sport mode with Flash, it selected ISO 1100, F4 and 1/60. subject is well lit, the back kick is frozen to show the form, the foreground and background of the GYM were well lit. The white balance is perfect. I could not have done a matter job myself in manual mode! At the same sport mode, D50 chose ISO 500, F5.6 and 1/60. The subject is well lit, the gym background faded into darkness. When not using flash, D50 just can't get the white balance correct no matter how i set it. D90 white balance was perfect.
The D90 giant colorful LCD really tells instantlly if I have got the shot. I would buy D90 again just for catching the highlights of my daughter's belt test.
D90 is actually the same size of D50. D50 felt more comfortable in my hands initially, but after 3 hrs, the D90 felt just better. It could be a weight issue. I don't know why.
So bye bye to my wonderful D50. Hello to D90.
Further edit:
After a few weeks, it is clear Active D lighting works wonder. It lights up details which are lost when using a Canon 5D without post-processing. I would buy it again just for that. The custom FUNC is also a welcome addition. I set it to open my favorite menus making everything fast. I used to use flash whenever indoor. You don't need to do that in most cases anymore. I shot Halloween at Hollywood Blvd, pictures have good color and exposure using available light. It was unimageable with the D50.
Good shooting!
The ultimate semi-pro or prosumer camera! May 11, 2009
C. Mann (Avon, CT)
20 out of 20 found this review helpful
After reading recommendations here as well as heeding Ken Rockwell's advice, FINALLY, after several years of indecisiveness between the Nikon D80, D200 and D300, the D90 really stood out for price/performance - I made the plunge. I paired this D90 with the Nikon 18-200 mm lens and the Santechi LCD battery grip, as well as a Delkin silicone body skin and a B+W UV multi-coated filter as well as a Nikon SB-600 speedlight flash. Every part of the camera and lens is now fully protected. ( A slight bit of trimming on the Delkin skin was necessary, along the bottom of the skin, so I could put the LCD battery grip on. Delkin states you can't put a battery grip on with their skin. But if you trim a bit of the skin then it fits perfectly! So no worries there. Get the Delkin skin. It is well worth it!) As a complete unit, it functions beautifully. Speaking about just the camera here, it is ridiculously easy to use, very intuitive, a well thought out design, well balanced, with enough heft, yet light enough for all that it offers. The pictures rendered, and the bright, 3" LCD screen on the back of the camera makes it wonderful to use. The menus are thoughtfully laid out. As for the video mode, it works just fine with the Nikon 18-200 mm lens. Best used in video mode for fixed distance videoing. I vidoed my future son-in-law fishing waist deep in a local river. The video came out excellent. Remember, this is a camera first. Not a video cam. But having the video option is nice, as you have everything within one camera body. This camera is certainly worthy as a semi-pro entry; maybe even as a back-up camera to a Nikon D3 or D3X for a professional photographer. I think the D40 or the newer D5000 would be a better choice for light users who want a few more features than a simple point-and-shoot camera, but who have no intention of really delving into photography and learning all the terminology and techniques involved in lighting, exposure compensation, picture composition, etc. But, if you are serious about photography and want room to grow, or you are a photo enthusiast, semi-pro or pro, you would be hard pressed to find a camera with a better price/functionality point. I purchased my D90 through Amazon via J&R Music, as they had the best price and had the D90 in stock. I received the camera a day after the order was placed. In less than 2 weeks I had taken nearly 1700 shots. I have taken early dawn, early twilight, late night, portrait, nature, time exposures, double exposures, and sports photos in that time. It is nearly impossible to take a bad picture with this camera. It is easy and a pleasure to set up. Once you take the necessary time to learn the camera and all that it can do, you will understand what a joy it is to own this camera. I highly recommend visiting the KenRockwell.com site to become well-educated on photography in general as well as getting a crash course with a simple, no-nonsense approach regarding the workings of the D90 -- well beyond all the sometimes useless and verbose language the Nikon manual for the D90 employs.
Bottom Line: The Nikon D90 is nearly impossible to beat right now for the price/function point. TIP: Invest in high quality lens/lenses as it/they will do more for you than the camera, as far as giving you quality pictures. Great pictures are more about proper lighting and exposure than the camera or the lens. Those things merely make it easier for getting that great shot. The photographer is responsible for the composition of the shot. Learn the proper way to compose and you will be well on your way to productive and enjoyable photography!
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